【音乐译文】音乐考古学:方法和理论的思考

阿恩德?阿德杰?鲍斯  文、方雪扬 译

摘要:编辑对音乐考古学的发展历史做了简要的回顾,讨论了音乐考古学的英文名称,探讨了音乐考古学研究的方法论架构,给出了音乐考古学研究的一般范式,并对音乐考古学与民族音乐学、民族考古学和实验考古学的关系进行了分析,探索了音乐考古学借鉴其他学科理论和方法的可能性。

关键词:音乐考古学;理论;方法;范式

中图分类号:J616.1    文献标识码:A    DOI:10.3969/j.issn1003-7721.2014.02.000

编辑概况:阿恩德·阿德杰·鲍斯(Arnd Adje Both),现任国际传统音乐学会(ICTM)音乐考古学会主席;译者概况:方雪扬(1991~),女,天津音乐学院音乐学系(天津300171)。

收稿日期:2013-10-12

Music Archaeology:Some Methodological and Theoretical Considerations

Arnd Adje Both

(Translated by FangXueyang)

Abstract:This paper has a brief review on the history of Music Archaeology, and has a discussion on the English name of theMusic Archaeology. Also, this paperexamines the methodological framework of music archaeology, and offers toa general model for music archaeological research. The author analyzes someissues regarding the interdisciplinary relationship between music archaeologyand other disciplines including ethnomusicology, ethnoarchaeology, and experimentalarchaeology. Finally, the author explores the possibility for music archaeologyto borrow the theories and methods from other disciplines.

Key words: MusicArchaeology; Theory; Methodology; model