【音乐编辑与音乐美学】勋伯格为何代表进步
——哲学与作曲的对话:阿多诺音乐哲学思想研究之一

唐应龙

摘要:鉴于作曲的重要性,阿多诺找出勋伯格与斯特拉文斯基作为对立的两极,从音乐本体的历史逻辑、音乐精神内涵和现实意义等方面论述勋伯格音乐的进步性。认为勋伯格音乐的技法创新符合音乐历史逻辑,内涵上体现出表现自我同情弱者的人本精神,从而发挥出批判社会的现实功能。

关键词:阿多诺;《新音乐哲学》;勋伯格;音乐素材;社会性;哲学思想

中图分类号:J616.1    文献标识码:A    DOI:10.3969/j.issn1003-7721.2014.02.000

编辑概况:唐应龙(1972~),男,黑龙江大学2008级博士生,云南大学艺术与设计学院副教授、硕士生导师。

收稿日期:2013-11-12

Why Schoenberg Represent Progress-Dialogue between Philosophy and Composition: Research on Adornos Music Philosophical Thought

TANG Ying-long

Abstract: Given the importance of the composition, Adorno selected Schoenberg and Stravinsky as opposing poles, and discussed the progressiveness of Schoenberg music from the aspects of the music noumenal historical logic, spiritual connotation and realistic significance of music. It regarded as the techniques innovation in Schoenberg music in line with the music historical logic, the innermost reflected human-oriented spirit to self-expression and sympathy the weak, which play z critical social reality functions.

Key Words: Theodor Ludwig Wiesengrund Adorno (1903~1969),Philosophy of New Music(1949), Arnold Schoenberg (1874~1951), music material, sociality, philosophical thought