【作曲技术理论与音乐作品研究】叶小纲《琵琶协奏曲》音乐分析

颜海音

要:叶小纲是活跃在当代中国乃至世界乐坛的重要作曲家之一,他的音乐创作具有清新独特的个人风格。创作于2001年的《琵琶协奏曲》是一部将中国传统乐器琵琶与西洋乐队相结合的现代民乐作品,渗透着作曲家独特的个人音乐创作风格。本文以作品中各种音乐参数为切入点,通过深入细致的分析与研究,总结和透析作品在创作技法和结构方式上所表现出的重要特征,并试图从中揭示出一种新的音乐思维模式——将中国传统音乐与现代技法创作有机结合的创作风格。

关键词:叶小刚;《琵琶协奏曲》;音乐分析

中图分类号:J614.5    文献标识码:A    DOI10.3969/j.issn1003-7721.2014.02.000

编辑概况:颜海音(1980- ),女,上海戏剧学院作曲与作曲技术理论专业讲师(上海 200040)。

收稿时间:2013-10-06

Musical Analysis of Ye Xiaogang’s Pipa Concerto

YAN Hai-yin

Abstract: Ye Xiaogang (1955~ ) is a Chinese composer of contemporary classical music, as one of the most significant composers activated in China and the whole world nowadays, his music creation with pure and fresh with unique personal style. ThePipa Concerto, composed in2001, is a modern Chinese folk music work that combining Chinese traditional instrumentPipawith Western orchestra, permeate with the composer’s individual musical style. Based on the various kinds of music parameters of the work as the penetration point and through intensive studying and analysis, this paper summarized the important characteristics shown on the creation technique and structural method, and tried to reveal a newly mode of music thinking – the creation style combining of Chinese traditional music with modern creative technique.

Key Words: Ye Xiaogang (1955~ ), Pipa Concerto(2001), musical analysis